By Emilio D'Alessandro,Filippo Ulivieri,Simon Marsh
“As solid an insider's view of center- to late-period Kubrick as there is…funny and informal throughout.”—Kirkus Reviews
Stanley Kubrick has been visible in general as an enigma—the neurotic Howard Hughes of filmmakers, a extraordinary hermit and unknowable genius fed on via his paintings and captivated with privateness to the purpose of insanity. during this “weird, revealing pride” (The manhattan occasions booklet Review), Emilio D'Alessandro offers readers a never-before-seen standpoint of the true guy at the back of the most iconic artworks within the historical past of cinema.
Emilio used to be a minicab driving force in London who had no proposal who Kubrick was once while he took a task because the director’s chauffeur through the filming of A Clockwork Orange. sincere, trustworthy, and able to tackle any activity, Emilio stumbled on his method into Kubrick's oddball middle and self assurance. For the following thirty years he grew to become Kubrick’s depended on own assistant, handyman, prepare dinner, sounding board, housekeeper, and pet-sitter—all the whereas staring at firsthand Kubrick’s meticulous operating equipment. He used to be even solicited by way of Kubrick to provide casting feedback. (Emilio suggested his attention of Charles Bronson for The Shining).
within the collective mind's eye, Kubrick used to be an remoted misanthrope. during this clean and affecting portrait, Emilio finds an altruistic, effusive, beneficiant, and constant friend—and an artist dedicated to the 3 issues in existence that mattered to him such a lot: his family members, his animals, and his movies.
"Through exact anecdotes and soft bills of existence either on position and stale, D'Alessandro sheds gentle at the back of the scenes…and bargains a distinct portrait of the guy himself."—Vice
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Stanley Kubrick and Me: Thirty Years at His Side by Emilio D'Alessandro,Filippo Ulivieri,Simon Marsh
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